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Entry tags:
July TFLN Time
Texts From Last Night
Welcome to Folkmore's Texts From Last Night meme! This meme can be used as a branch off from our Test Drive Memes and be used as game canon or just for casual fun in the setting! You do not need to be in our game or be invited to play on our TFLN. This can be a great way to meet current players for future invites, get a feel for the setting, or just have some fun.
This can be used for samples on our applications and used as spoons for players accepted into the game!
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What do you do when you get angry? [ It might have just occurred to her that she's never really seen him angry. ]
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Usually, there is already violence when that occurs, so it is easily handled in combat. I am ashamed to say that sometimes they are merely on the precipice of violence, and I commit to it. Or, as happened early in my time here, I challenged someone to a duel. Fortunately their partner was able to calm things down or we very well might have fought.
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You never struggle with it? [ Calmed even after trying to duel someone. What an odd thing to find attractive in a man. ]
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[ Mayerling struggles every day, every moment of every day. Anger, though, it be not. ]
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[ She was asking the right sort of questions but she'd focused on what she struggled with the most, not what he did. Not that she would ever compare their struggles, bloodlust and rage are two different beasts but she could see some similarities. ]
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Back in Trench, D and I had an agreement. He would kill me if I drank from someone. That reminder of mortality helped serve as one more reason to resist the urge.
[ Usually, Mayerling does not speak of these issues with people. He does not wish everyone to fear him at all times, the way that would be natural upon hearing that he always longed for their blood. Mayerling remembers the ball, last fall, where Baba Yaga offered human blood in goblets. He had fled and hidden in a room away from everyone, terrified that he would lose control.
He hadn't bitten anyone. His greatest accomplishment to date in both Trench and Folkmore. It helps that Trench had easy access to blood and Folkmore can provide him synthetic blood at a moment's notice. The urge remains, but it helps. ]
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"You are amazing," There's a firmness to her statement as if it were an undeniable truth. Mayerling walks a hard path in life, one he's chosen to commit to, and he's worked hard to succeed. There is something deeply admirable about that, especially for someone who is prone to taking a leap based on her emotions and current desires. He is so consciously aware of everything he does. Her hold on him tightens, "Have you had any issues here?"
She remembers the agreement he had with D. Although she's never once worried that he would lose control (his self-control will astound her into infinity), she knows it's something he worries over. It's something she should have asked after sooner.
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Though Sharon loves him, Mayerling cannot help but worry. She didn't grow up with an understanding of vampiric bloodlust and what a bite can do. She hasn't known that deep in her bones and accepted it intrinsically as part of being with him. Perhaps D taught her at length about what vampires can do in their worlds, yet he knows not and cannot ask the man. For all these worries, Mayerling can only wait and brood and attempt to believe in the best, despite the existential question that has haunted him for millennia: who will mourn vampires' passing?
Sharon opens the door, and in a moment, Mayerling stands—only to be hugged and fold himself around her in return. It eases something deep in his soul that Sharon at least accepts him with open arms, even after the poetic description of bloodlust.
"I love you, Sharon," Mayerling declares. It must be said, for the feeling swells so large in his breast.
"Only one time came hauntingly close, the time Baba Yaga served blood, human blood, at her ball. The smell of it fresh and warm was not only enticing in its own regard but brought to the forefront the smell and flow of warm blood in the veins of all those around me. I fled to a private room," one meant for sex, he could tell, "for there was no escape from the party itself in full, and there I cowered for some time."
Until another vampire ran into the room with similar reaction to the blood. Neither of them aimed for farther private rooms, needing only to be away with the illusory barrier of walls and a door between them. Mayerling takes long breaths and focuses on the smell of the world on Sharon, the warmth of the sun heating her skin, and not that which flows in her, though he knows from D that drinking Coldblood is... not the best experience.
"It is much easier than Trench with its blood pollution and blood magic wherein people spillt their blood daily for whatever purposes they needed."
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She presses her lips against his cheek in a silent show of that gratitude and in direct response to his declaration of love.
Her teeth grind together briefly when he mentions Baba Yaga and how she served blood. Anger rises up her throat like stomach acid. The only real sign of her rage is the slow way she exhales out her nose, carefully controlled, as her hold on him tightens. No escape, he'd said. Cowered. She breathes him in to keep her thoughts from straying far.
The horrors she would inflict upon this world for him.
"Remind me not to accept her next invitation then," She tries to sound light-hearted. Unbothered. As long as she is here, she will turn blood into ash if it lessens his stress and suffering. Even if he's handled worse, even if Trench was worse, she wants nothing more for him than peace of mind. She pulls back from him, her cool palm against the nape of his neck, blue gaze thoughtful.
"If there's anything I can do to help you out, you'll let me know, right?" No matter what it might require of her. Even if he needs her to stop him one day, "You don't have to deal with it alone. Ever."
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"I regret that experience not at all, love," Mayerling says softly, "for it led me to another of my kind. A much younger vampire, experiencing the very same issue, came into the room, shutting the door, and pressing himself against it. I was able to help him, so newly turned, when we had previously been unaware of each other. Robin has returned home, has long since departed Folkmore, yet I remember fondly each vampire I have helped in my time here. I would gladly submit to be tempted, for the sake of helping another."
There is no promise he will resist temptation every time, no hubris that Mayerling need not worry about it. Nay, as he described to Sharon over the relic, it is a constant struggle that must always be fought and never fully won.
Sharon's statement makes his heart soar far beyond the conversation they are having, so high that it overshadows the whole conversation about bloodlust and its eternal damnation to live in his breast. Ever. Ever. Ever. Such strong words. They remind him of what conversation they agreed to partake.
"As greatly as it pains me to burden you so terribly, I would ask the same of you as I did of D," Mayerling says seriously, "Should I bite someone, I need you to kill me. As in Trench, I should return, but whether I return or not, it is the only way to free them from a vampire's curse. I would rather die than live with someone cursed on my account."
It was easier with D, whom he knew less well, who had tried to kill him before, whom he didn't love. They grew closer over time, so much as D let anyone grow closer to him. Yet it cannot compare with how he feels for Sharon.
Mayerling takes multiple deep breaths, smelling the sun off her skin and the anger simmering in her blood. Her hand against his neck, her azure gaze meeting his eyes, the heated space between them... the other conversation vibrates deep in his bones.
"Familiars help Legends and Myths," Mayerling says, "your very presence eases the turmoil within. Though my emotions continue strong, they have an anchor, a lighthouse, a tether. I have been told that the bond amplifies such effects, a part of the greater whole that forms the bond. It sounds, I admit, much like the empathic bond that permits one to feel each other's emotions. The exact effect is not identical from bond to bond, which drives me to believe its nature depends also upon those entering the bond.
"I would not have you form a bond with me solely for my sake. It would weigh too heavily upon me that you would yoke yourself to me. It must—it must or I cannot bear it—also help you."
He gazes down at her, intense, and it feels as though his heart may burst in his chest. "I love thee, Sharon, and I promised you this conversation, yet I know not what will result of it."
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"If you ever bite someone," the words are a promise on her lips as she presses her other hand against his chest, above the heart. She knows what it takes to kill a vampire: heart, head, fire, "I will kill you." Saying it out loud makes her heart sink. The very idea breaks it. "But I will do whatever it takes to make certain it never comes to that."
By any means necessary. For every doubt she has stuffed away in her, she doesn't lack for confidence in at least one area of her life.
There is something daunting about the connection a bond would create between them, though whatever wariness she feels has little to do with the intensity and depth of his emotions. She would have no problem drowning in him. But what of the things she'll gift to him in return? Would he see the monsters she does when the stress gets to be too much? Feel the rage and violent impulses?
She drops her hand from his chest to rest it on his hip and her gaze drops with it, lips pursed. Idly, with her other hand, she plays with the hairs at the nape of his neck.
"You know what a bond might help me with?" She asks him seriously, attention pulled back up to his face, "It might give me a heads up when shit gets bad for you... and vice versa." She doesn't have to worry about bloodlust but she does have a rage that can twist the world.
"It might give me an extra moment to help you or stop you." This is just as much for her as it is him. "But killing you," she laughs suddenly, eyes damp, "I would rather kill every single person I've ever met here." Wide-eyed and serious. Her promise stands: she will kill him if it comes down to that but that doesn't mean she wouldn't rather do anything else.
"The only thing about a bond that puts me on edge," a moments hesitation as she tries to build up her courage, "is what you will feel from me. I don't think you know just how awful I am."
And still, she's willing to risk it for him.
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His concern stays with him, a companion, as he listens to her reasons for the bond—a simple explanation with potentially meaningful consequences. Had Sharon left it at being concern for him, Mayerling would have rejected it for the reason he had already said. Mayerling will not yoke her because of the burden he was born with. He has born it millennia. He can bear it further, without adding burdens to her (beyond the promise he already exacted due to her love for him). Vice versa. Such little words, yet Sharon wandered Folkmore without him handling her anger, the basis of this conversation. The idea Sharon could use his help—that he could help her to any meaningful degree the way she helps him by her very presence—makes his heart sing beneath the heaviness of the topics they discuss.
"Please do not kill people here, Sharon," Mayerling says, "certainly not on my behalf, for that would weigh down my heart far more than my own death. Should someone threaten my life, I would understand. Yet killing someone to prevent me from feeding upon them defeats the purpose of the promise I asked of you. I asked it for their sake, for their safety, if it is I that has placed them in danger.
"I ask not from some moral high ground. I assure you, Sharon da Silva, that no matter how many people you have killed, I have killed more. Some I have killed for good reason, some merely to survive, and some I am honor bound to admit rooted in selfish reasons. I have walked your Otherworld, and I know your ambitions to kill Pthumerians and would not be surprised should you wish the same toward Thirteen."
His lips quirk into a smile. "I know not what awfulness you believe me ignorant of that would turn me away from you," Mayerling says, "so how about you tell me the worst of it, something which you think would turn my stomach and my soul. Should it fail to do that, you can remember I see the good you so readily forget or turn a blind eye to."
He has not forgotten D trained her to be a vampire hunter, what that must require of her for him to see such potential and the training besides.
cw; talk of child murder
"I know you asked it for their sake. I'd drag you into my Otherworld to stop you," To say it, though, makes her expression flicker. The last time isn't so easily forgotten. She drops her hands to his shoulders, smoothing a crease in the fabric of his cape as if it were suddenly the most important thing for her fingers to be doing. "Separate you from everyone else."
It's a possibility that's only available if they form a bond, though, or if he's capable in that mental state to send her a warning. Granted, she doesn't know exactly how the Otherworld works in this place.
She finally pulls away from him to busy herself with a cup of tea, more to hide the minute expressions as she speaks and to busy her hands, "I took their children, Mayerling. I took their children and I did to them what their parents did to me. I burned them alive."
Her voice is carefully controlled, chilled despite the subject matter, "And then I gave them back twisted. Mindless and desperate and always searching for someone to help them. But their touch burns," something dark and pleased leaks into her voice there, "They were my first monsters because I wanted their parents to feel even an ounce of what they'd put Dahlia through."
cw; talk of child murder
He lets her go, though he wants to offer her comfort the way she gave it to him, because Sharon fears rejection and his turning away from her. Easier, it likely seems, if he cannot remove himself from her touch in recoil and horror at whatever she might say. Easier to turn away and not meet his eye. Easier— whatever makes it easier for her to share, though Mayerling doubts it truly makes much of a difference. Instead, he admires her bravery in sharing it willingly despite the difficulty and listens carefully and, as best he can, without judgment—without immediate judgment.
His stomach turns at the plain statement of fact, not only of what Sharon did but what was done to her. Burned alive. She's yet so young, even now, but to have lived through that? He knows the pain well, for he has burned alive many a time. He could burn alive if he simply stepped foot outside their door without his wings protecting him. The thought of that happening to children, not for their own foolhardiness and desire to see a butterfly, pains him terribly, yet Mayerling cannot claim it be the first time he has heard of terrible deeds done to children, nor even such done by the hand of someone he loves. The pain flashes through him as raw as ever, yet he's used to feeling such pain. He doesn't recoil but watches her.
Mayerling ponders what Sharon says and the way she says it, yet he senses what pleases her is not the harm to the children but the harm to their parents—the harm to the people who hurt her. That certainly eases the sense around it all, yet Sharon's correct that it isn't something he simply accepts without second thought, that he ignores because he loves her, that can be any more or less accepted in her than in someone he does not know.
When he ponders the words, the last sentence makes his brows furrow. "You separate yourself from your own trauma when you speak of it," Mayerling notes, "Those adults not only put Dahlia through something, they put you through it. They burned you. They hurt you. Did you not want revenge for yourself, for your own sake?" He reaches for her hand as he considers an answer. "Did you not value yourself, your pain, your own experience and see it worthy of vengeance, of punishment, of justice? You are as worth protecting and meting out punishment for as her. Even in this dark, terrible moment, you cared about another. Love motivated you as strongly as hate.
"I cannot be glad that it happened, for children are children, whatever the sins of their fathers and mothers, yet I can understand." As much as it saddens him that he understands, he does.
cw; talk of child murder & implied csa
"I hated those kids. They weren't children to me. They were monsters before I ever got a hold of them," Sharon tells him fiercely, intent on disrupting his attempt to see her actions as anything other than selfish and cruel, "Their parents would whisper about me but their children would act. I always left school with new bruises—Fuck, they were just as big a part of my burning as the rest of the town."
She has to take a moment to center herself. Even just thinking back to those moments is like reliving them, the memories clear as ever, "Burn the witch," the words come out thick on her tongue as if they had literal weight to them, "That's what they'd chant as they threw their books at me. Some days I'd just take it but the day of the burning, I hid in the girl's bathroom. Lockable stalls," she explains with a shrug but her grip on his hand tightens, "When I got in there, though, the janitor was already in there and all the girls knew not to be alone with him. He made sure to lock the door behind him." The words come out stiffer and stiffer until she chokes them out and her eyes burn. There's no reason to go into details.
"They burned me alive that night and my mother let them," Sharon does not believe she acted out of love when she killed those children, "I remember the sounds she made when I was pulled off the altar. Beyond the sound of the fire and the screaming, I heard the sounds she made. I wanted their parents to make the same sounds for the things I was going to do."
Finally, she pulls her attention away from the tea to look at him, cheeks damp. Whatever grief is still wound up around her heart is nothing in comparison to the rage she still feels, "I hate Dahlia but she was still my mother. So, no," and this sucks to say because it would be much easier to let him believe that; allow him to believe there was some small bit of goodness in all that destruction and horror but she loves him too much for that, "love was not a part of what motivated me."
Alessa had been blind to everything but her own pain. "I was nine." It sounds like an excuse to her own ears and she flinches at it. "And I spent the next forty years of my life exacting my revenge."
Re: cw; talk of child murder & implied csa
"You stood up for yourself when no one else would," Mayerling says. "You were hurt over and over and over, and when they burned you alive"—he cannot help the anger that comes out with those words—"you had enough: enough pain, enough abuse, enough excuses. Do you think so many people would do differently? Do you think I do not defend myself?
"I did not come to my philosophy overnight, nor do I expect I would have reached it at all had I gone through what you went through, Sharon."
He searches her face to meet her wet blue gaze. "You are allowed to love and to protect yourself, Sharon da Silva, even should and especially should no one else do so," Mayerling declares. "I cannot claim that your actions sit easily with me, nor that I eagerly enjoy the pleasure in your voice as you reflect on those deeds. Yet you have survived when no one ought to have expected it, and I do not hold those actions against you. They reaped the pain and suffering they sewed. You feel what you feel, and I know well that feelings alone should not be judged but with actions. While I know not what all you have done in Trench and now in Folkmore, removed from those circumstances, in all I do know, I believe you have acted as a moral person.
"I do not see a conflict between us on that matter, not one that should tear us asunder."
Her past is her past, and he understands why she would act as she had. Mayerling lifts a heavy brow, as though asking whether there be other aspects of those forty years of revenge that Sharon worries will make him lose faith in and abandon her.
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"I didn't think this would tear us asunder," she emphasizes his phrasing, the words almost a tease despite the heaviness of the conversation but it's gone the moment she continues, "I just... I just didn't want you to be caught off-guard by what you might be privy to if we do form a bond. There are days when I am more hate and rage than anything else. All those years have left a rot inside of me." There is a reason her Otherworld takes the form it does.
She entwines their hands together and the racing of her heart slows. She even breathes a little easier as if just touching him provided her with enough comfort to ease her woes. Love is such a strange fucking emotion.
"Sometimes, I fear that whatever good there is inside of me will be eaten by it one day."
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"I would not claim to know you so intimately and so well that nothing should surprise me if we form a bond," Mayerling says, "Acknowledging that, I understand you are human, you are a survivor, you are a hunter." That word, hunter carries heavy connotations in his world, and D trained her to be a vampire hunter in Trench. That alone speaks to some of this nature.
"We both carry emotional turmoil and burdens, Sharon," Mayerling continues, "You your hate and rage—a fire within you. I my bloodlust and melancholy—a deep ocean within me. You may fear the fire shall burn you hollow. I fear that my sorrow may drown me. Both may eternally remain threats so long as we shall live, yet bond or no, we can both aid each other, whilst also knowing we lack the ability to take away whole each other's worst fears and travails."
He looks deeply in Sharon's eyes. "I love you, Sharon da Silva, and I am proud that you see what people did to you as wrong and that you defended yourself, body and soul, to survive when others would have you not."
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Her breath shudders at the acknowledgments he lays out before her. There's no washing away all that's been but in so many ways he's a salve for her burns. His presence can pull her focus out from whatever dark pits she often finds herself wallowing in. In turn, she hopes she is a buoy, a life raft when he's fallen into his own. As much as she can be, at least.
She reaches for him and frames his face between her hands, fingers splayed, pinkies tucked beneath his jaw. Her gaze is still damp, wet lashes clumped together, but her lips twitch and curve upward at the edges, "And I love you, my sad, sweet vampire," her voice is thick with that love. She leans up to press her dry lips to his, chastely, and whispers as she pulls back, "Thank you."
He makes her want to be proud of herself, too, and not the bitter, spiteful kind of pride she's spent so long relishing. It's something sweeter. Brighter. One hand trails to find the beads in his hair to spin them carefully between her fingers as she continues to gaze up at him, "As long as we're together, I will do my best to make sure you don't drown in either sorrow or bloodlust, Johan, and I'd like to form a bond with you," she pauses and tilts her head at him, "if you're willing."
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"You are welcome," he intones deeply and means it with all his heart.
His heart speeds up from there, as he anticipates the words Sharon builds to. It feels like water rushing past his ears, and within that his name, his given name, feels like a moment of calm among the rest. His heart beats wildly in his chest as Sharon says the words and looks to him for his answer. Mayerling considers how this all started—Mayerling wondering where Sharon was and wishing to help her with the anger she felt—and know he always wants to be able to help her with that. He trusts Sharon to let him help, to trust him to do as she needs to help her, and to let him see whatever gnarly bramble of emotions boils up within her heart.
It is something he has never done before. "As long as we're together," Johan echoes her words back to her, "I will do my best to make sure you don't burn yourself empty in either hatred or rage, Sharon, and I—" He cannot help but feel as though his heart skips a beat. Is this really all it takes? "—would like to form a bond with you, as you are willing."
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"You think it worked?" She asks, a giddiness lining her voice. Her hands drop to his shoulders. "Is there a test we can do?"
Sharon knows this kind of bond, this dedication, is all about intention but it feels like there should be more to it. The bonds in Trench required blood and roses and pieces of themselves to form. There was a certainty to them, a physicalness they didn't have here.
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"We are both so happy, so similar in emotion, that I know not that we can distinguish your joy from mine," Mayerling admits, amused by that layer of difficulty in determining the veracity of the bond.
Despite that overwhelming happiness, Mayerling can feel yet the bloodlust, the eternal instinct and psychological need for blood. Only because he trusts himself can he hold his arms around her, an embrace that could easily become a vice were he to lose control of himself. Such instincts and urges are not the way Mayerling wishes to test the bond, yet it is a part of him Sharon lacks, something intrinsic, something not even rage and hatred can be mistaken for.
One hand comes up to stroke Sharon's face. His expression is serious. "Search within yourself, within what feelings may originate from me, and see should you find the urge for human blood," Johan says softly. "Even in moments as wondrous as these, it is there." It is always there. A constant.
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Her tongue peaks out from between her lips, brows furrowed, as she concentrates. It's like sorting through a hundred threads, many of them worn and familiar, but it doesn't take long to find the piece that sticks out. A need unlike any she's felt before, similar enough to hunger but one that felt impossible to satisfy. Her fingers curl into the fabric of his cape. A lifetime of it would drive her mad, she thinks.
"And you feel this all the time?" In that way, and perhaps only that way, it's like her rage. She opens her eyes, an empathetic shine to them, "Can it ever be satisfied?"
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He turns his gaze back to her eyes, and her capillaries fade away from her face. That's good, yes, yes, he remains under control, even with her emotions piling on top of his, the fire burning from within.
"Yes," Mayerling answers. "Sometimes it is worse." She trusts him every moment they spend together, though he knows that Sharon would hold her own if he lost control of himself.
He clears his throat, uncomfortable but honest. "Only temporarily," Mayerling says, "It would be far worse without the synthetic blood I drink, yet that hardly cures it, only maintains the feelings at a tolerable level, something that can be resisted. When a vampire drinks human blood, it is... pleasure and satisfaction like nothing else, yet those feelings don't last. Nor do they justify the harm done to people."
And oh what harm it is. That can be mitigated. Blood not directly from the source (though that too is less... satisfying). Restraint. Always restraint. "Biting a human is often described as better than sex." Mayerling quirks his lips, amused.
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Her own lips twitch upward—better than sex, he says—and she can't help the dramatic way she responds, breathless with longing, "Oh, what temptation." The words are punctuated with a cheeky grin before she exhales, grin softening. She's always been curious about the bite, it's hard not to be when it's been described to her in such ways, but she knows the consequences of it. D made sure of that and reiterated it when she begged him to bite Falco.
"I'll never ask it of you," she tells him as she reaches to cover the hand upon her cheek, holding it there. "Even if there comes a time where I want it." Her curiosity doesn't count.
"But I do wish there was something more I could do to lessen your struggle."
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